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This artwork – Popa’s largest to date – takes the form of two protective hands emerging from the sand and encircling the tomb, symbolising the need for collective action to conserve Saudi Arabia’s cultural heritage. The installation incorporates traditional Arabic patterns in the flowing sleeves, blending with the natural landscape, natural elements, including yellow earth from Europe and red earth from the Middle East. Notably, due to its scale, the artwork can only be seen from the sky.
Famous for his sustainable approach, Popa created a unique work of art that will disintegrate in weeks.
“The Kingdom has made great strides to conserve and develop its cultural heritage and rich collection of assets, including AlUla with its 200,000 years of human history. As guardians of this unique crossroads for civilisations, RCU is focused on raising people’s awareness of the need to engage with conservation efforts through the new I Care campaign,” said Abdulrahman Alsuhaibani, Executive Director of Archaeology, Conservation and Collections at RCU.
The campaign will target school children to teach them the importance of heritage protection and how landmarks connect with the community by providing workshops and community activities.
“AlUla’s heritage is a treasure for the entire world, and I have been enriched by the enlightening conversations I have had with the local storytellers, the Rawis, the Heritage Rangers, and the young ambassadors being trained in the Hammayah programme to take on guardianship of this invaluable heritage,” Popa said.
I have over 10 years of experience in the field of cryptocurrency and blockchain technology. I have attended numerous conferences and events around the world, and my work has been featured in major publications such as CoinDesk, Bitcoin Magazine, and Yahoo Finance.